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To sekunder. Bibliotekaren tjekker lige på hylden, hvad vi har af eksemplarer, og om de er hjemme.
Detaljer om materialet
Type
Cd (musik)
Format
1 cd
Sprog
engelsk
Genre
folk
Emneord
Emnetal
78.794:5
Bidrag af
Indhold
Over AgainWeaving SongWitch BottleWhite Copper AlleyFollow Them True100,000 YearsAbbots Bromley Horn DanceRoving BladeUnquiet GraveBlind Beggar of Bethnal GreenPoor Old HorseRed CarnationAs I Roved Out
Forlag
Stick In The WheelFrom Here Records
Målgruppe
voksenmaterialer
Bonusinfo til dig fra bibliotekaren
- Nyhed
Nye boller på suppen
London står aldrig stille, selv den traditionelle folkemusik må forny sig for at følge med. Et bud herpå er absolut ”Stick in the Wheel”Læs mere
Anmeldelser
fRoots, 2018 Jan/Feb
""Follow Them True" (...) sees these five musicians' disparate skills and musical backgrounds (folk music, visual and sonic art, underground electronica, contemporary classical and metal) fully coalesce into a coherent and unique group unity. It retains all the excitement and urgency of its predecessor on tracks like (opener) "Over Again" and "White Copper Alley", but there's real, affecting beauty in the likes of the waltz-time "Blind Beggar" and "Red Carnation" - a song that Nicola Kearey delivers with a breadth of emotion to compel anyone foolish enough to dismiss her as a Cockney bawler to fall to their knees in penitence. There's a wonderful solo, unaccompanied version of "Unquiet Grave", a terrific, mass-chorus singalong on "Poor Old Horse" ... It's the title track, "100,000 Years" and "As I Roved Out" that will inevitably draw the ire and Incomprehension of some of the folk(y) world, for their (startlingly effective) auto-tune-as-instrument vocal manipulationsandelectronic ambience"
The guardian, 2018-01-21
"Born in the Essex badlands from a motley background that includes dubstep and hard rock, Stick in the Wheel conform to none of the lazy stereotypes that surround folk music. Their 2015 debut, From Here, arrived like a punk manifesto; urgent, abrasive, with no contrived antique accents, jangling guitars or prettification of the hallowed tradition. This follow-up maintains their fierceness while broadening their sonic palette and embracing a more diverse approach in its 50/50 mix of standards and originals"
The guardian, 2018-01-21
Pitchfork, 2018-02-01
"Respecting folk music's past while uprooting it from the pastoral, the UK group's politically minded album mixes acoustic and electronic instruments across original songs and traditionals"
Pitchfork, 2018-02-01